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The Chills at Will Podcast is a celebration of the visceral beauty of literature. This beauty will be examined through close reads of phrases and lines and passages from fiction and nonfiction that thrills the reader, so much so that he wants to read again and again to replicate that thrill. Each episode will focus on a different theme, such as "The Power of Flashback," "Understatement," "Cats in the Cradle," and "Chills at Will: Origin Story."
Episodes
21 hours ago
21 hours ago
Notes and Links to Lydia Kiesling’s Work
Lydia Kiesling is a novelist and culture writer. Her first novel, The Golden State, was a 2018 National Book Foundation “5 under 35” honoree and a finalist for the VCU Cabell First Novelist Award. Her second novel, Mobility, a national bestseller, was named a best book of 2023 by Vulture, Time, and NPR, among others. It was longlisted for the Joyce Carol Oates Prize and a finalist for the Oregon Book Award. Her essays and nonfiction have been published in outlets including The New York Times Magazine, The New Yorker online, and The Cut. Contact her at lydiakiesling@gmail.com.
Alta Online Book Review for Mobility
At about 1:35, Lydia gives out contact information and social media information, as well as places
At about 4:10, “Return of the Mack” as an “eternal jam” is highlighted in the book
At about 5:40, Lydia talks about her reading life and how it connected to her “cusp generation” and her time as a “foreign service brat”
At about 9:50, Lydia talks about her experience reading Joyce Carol Oates, for whom an award is named that Lydia was longlisted for, and Pete compares the narrator, Bunny, and her situation in Mobility to iconic characters from “Where are you going, Where have you been?” and “In the Land of Men”
At about 11:30, Lydia recounts interesting parts of her life in boarding school and how it shaped her
At about 15:20, Lydia discusses the reading life fostered through memorable English classes in boarding school
At about 21:15, Lydia highlights the ways in which her life as a writer developed, including early work in the blog era and a great opportunity from The Millions
At about 26:00, Lydia shouts out contemporary writers who thrill and inspire, including Jenny Erpenbeck and Bruna Dantas Lobato
At about 30:55, Lyda responds to Pete’s questions about the ways in which Lydia’s history as a “diplomat brat” has affected her view of the US
At about 34:45, The two discuss seeds for the book and the importance of the book’s concise epigraph
At about 37:25, Lydia highlights The Oil and the Glory as inspiration for the book
At about 40:45, Pete lays out part of the book’s exposition and underscores the importance of the book’s first scene and use of oil prices to mark each year
At about 42:30, Lydia responds to Pete asking about the draw of Eddie and Charlie and the older men/boys
At about 43:55, Pete quotes Mario Puzo in relating to “men doing what they do when they’re away from home” and Lyda builds on it when talking about Baku and the things and people that came with oil drilling
At about 45:00, Lydia gives background of the soap opera referenced in the book as she and Pete further discuss important early characters
At about 47:40, Lydia explains the background and significance of a ring that Bunny covets that says “I respond to whoever touches me”
At about 51:00, Pete recounts some of the plot involving Bunny’s return to the US and Texas and asks Lydia about the intentions of her mentor, Phil
At about 53:20, Lydia expands on the “weird current” that comes with being a young woman/woman in a male-dominated world
At about 54:40, Pete and Lydia discuss the manner in which Bunny and so many in our society choose to look away when faced with the evils of capitalism, oil, war, etc.
At about 58:15, Lydia emphasizes the ways in which story and narrative govern so much of the way politics and business work
At about 59:40, The two discuss Bunny as a nominal liberal
At about 1:01:15, Lydia responds to Pete’s question about any reasons for optimism in response to climate change
At about 1:04:00, The idea of “geologic time” as a negative and positive is discussed with regards to the environment and oil and positive change
You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you’re checking out this episode.
Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. This week, his conversation with Episode 255 guest Chris Knapp is up on the website. A big thanks to Rachel León and Michael Welch at Chicago Review.
Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl
Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete’s one-man show, his DIY podcast and his extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!
This month’s Patreon bonus episode will feature an exploration of the wonderful poetry of Khalil Gibran.
I have added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.
This is a passion project of Pete’s, a DIY operation, and he’d love for your help in promoting what he’s convinced is a unique and spirited look at an often-ignored art form.
The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.
Please tune in for Episode 267 with Keith O’Brien. He is a New York Times bestselling author and award-winning journalist who has written four books, been longlisted for the Andrew Carnegie Medal for Excellence in Nonfiction, and contributed to multiple publications over the years, including the New York Times Magazine, the Atlantic, and NPR. Kirkus Reviews hails his latest, Charlie Hustle, as a "masterpiece of a sports biography."
The episode airs on December 24.
Please go to ceasefiretoday.com, which features 10+ actions to help bring about Ceasefire in Gaza.
Tuesday Dec 10, 2024
Tuesday Dec 10, 2024
Notes and Links to Carvell Wallace’s Work
Carvell Wallace is a writer and podcaster who has contributed to The New Yorker, GQ, New York Times Magazine, Pitchfork, MTV News, and Al Jazeera. His debut memoir, Another Word For Love (MCD, 2024), explores his life, identity, and love through stories of family, friendship, and culture and is a 2024 Kirkus Finalist in Nonfiction. He was a 2019 Peabody Award nominee, a 2022 National Magazine Award Finalist, a 2023 winner of the Mosaic Prize in Journalism, and a 2025 UCross Fellow. He lives in Oakland.
New York Times Review of Another Word for Love
“Carvell Wallace on What Writing Taught Him About His Life” for LitHub
At about 2:25, Carvell describes his “active” reading youth during his youth, including interest in Edgar Allan Poe and fables and fairy tales, and how creative pursuits in college paused and started his writing life
At about 6:25, Carvell shouts out a teacher who exposed him to great literary works and “treated [him] like a real writer”
At about 7:45, Carvell talks about being an artist “getting off the academic train” and academic “tracking”
At about 9:20, Carvell and Pete discuss “math people” and implications around embracing the label or not
At about 10:40, Carvell lists Song of Solomon, Judy Blume, Grapes of Wrath as “formative” texts and writers, and he details how imitation works in his writing,
At about 14:00-Ayn Rand and Jordan Peterson talk!
At about 15:50, Carvell discusses his take on expectations of literary and pop culture “representation” growing up, as well as how he “goes to reading to find [himself]”
At about 19:15, Pete asks Carvell about his wide level of interest and knowledge and “muses,” and Carvell describes the “throughline” for his varied work as “people”
At about 22:50, Carvell and Pete discuss the definitive answer to the pronunciation of “gif” and highlight meaningful gifs of JR Smith and Andre Iguoadala
At about 25:15, Carvell responds to Pete’s question about writers and creators who inspire, including the film podcast You Must Remember This and Tricia Hersey’s We Will Rest
At about 28:20, Pete tiptoes into asking about Frankenstein’s monster
At about 29:05, Pete highlights stirring parts of Another Word for Love and shares gushing blurbs
At about 30:40, Pete asks about the structuring of the book and links that Catrvell envisioned and put into practice; Carvell explains his rationale for structuring around recovery
At about 33:05, Carvell connects Choose Your Own Adventure to the ways in which he tried to avoid “prescriptive” writing
At about 34:05, Carvell replies to Pete’s question about “killing [his] darlings”
At about 36:10, Carvell gives background on his June Jordan epigraph and talks about her revolutionary ways
At about 40:00, Carvell muses profoundly on the “contradiction(s)” of the United States
At about 42:05, Carvell responds to Pete’s asking about the “encroaching shadows” and loneliness that govern the book’s opening scene; Carvell also reflects on the “unreliability of memory”
At about 46:00, The two reflect on a pivotal early chapter about a literal and figurative “fog” and unorthodox lessons learned from the experience
At about 48:45, Carvell explains the importance of descriptions in the books about seeking intimacy with his mother and flipping tropes
At about 50:20, Carvell talks about writers and dishonesty and remembrance with regard to a possibly apocryphal story regarding kids forced to take care of themselves
At about 54:40, Carvell talks about nomenclature for sexual assault and reflections on ideas of culpability and masculinity
At about 58:20, Carvell reflects on healing through writing the book and his ethic in writing it
At about 1:01:05, Pete recounts important parts of Carvell’s childhood daydreaming
At about 1:02:20, Carvell points out a “theory of recovery” as seen in a metanarrative and ideas of “endless beautiful things in the world”
At about 1:03:30, Carvell muses on connections between hip hop and Shakespeare that especally
At about 1:05:20, The two discuss “The Finger” and racism shown by a white man and its larger implications
At about 1:08:40, Pete asks Carvell about links between “overwrit[ing] reality” and racist violence towards him
At about 1:10:00, The two reflect on change and the birth scene of his child; Carvell reflects on humility as illustrated in the scene
At about 1:12:45, Pete recounts important scenes that end Part I and govern Part II and asks Carvell about “re-union” and healing
At about 1:14:10, Pete gushes honestly over the book’s greatness, evocative nature, and resonant nature
At about 1:15:30, Carvell talks about the book’s end and its lack of an end
At about 1:16:20, Carvell shares contact info, social media info, and places to buy his book, including great Bay Area bookstores like Harold’s Books
You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you’re checking out this episode.
Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. This week, his conversation with Episode 255 guest Chris Knapp is up on the website. A big thanks to Rachel León and Michael Welch at Chicago Review.
Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl
Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete’s one-man show, his DIY podcast and his extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!
This month’s Patreon bonus episode will feature an exploration of the wonderful poetry of Khalil Gibran.
I have added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.
This is a passion project of Pete’s, a DIY operation, and he’d love for your help in promoting what he’s convinced is a unique and spirited look at an often-ignored art form.
The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.
Please tune in for Episode 266 with Lydia Kiesling. She is a novelist and culture writer whose first novel, The Golden State, was a 2018 National Book Foundation “5 under 35” honoree and a finalist for the VCU Cabell First Novelist Award. Her second novel, Mobility, a national bestseller, was named a best book of 2023 by Time and NPR, among others.
The episode airs on December 17.
Please go to ceasefiretoday.com, which features 10+ actions to help bring about Ceasefire in Gaza.
Wednesday Dec 04, 2024
Wednesday Dec 04, 2024
Notes and Links to Maggie Sheffer’s Work
Marguerite (Maggie) Sheffer is a writer who lives in New Orleans. She is a Professor of Practice at Tulane University, where she teaches courses in design thinking and speculative fiction as tools for social change. Formerly, she taught English at the East Oakland School of the Arts, Castlemont High School, Life Academy, and GW Carver High School.
Her debut short story collection, The Man in the Banana Trees, was selected by judge Jamil Jan Kochai for the Iowa Short Fiction Award, was published in Fall 2024.
Maggie is a founding member of Third Lantern Lit, a local writing collective, and the Nautilus and Wildcat Writing Groups. She received her MFA from Randolph College. She was a 2023 Veasna So Scholar in Fiction at The Adroit Journal, and was selected as a top-twenty-five finalist for Glimmer Train's Short Story Award for New Writers. Her story “Tiger on My Roof” was a finalist for the 2024 Chautauqua Janus Prize, which awards emerging writers’ short fiction with “daring formal and aesthetic innovations that upset and reorder readers’ imaginations.”
Her position on semicolons (for) is noted in an Australian grammar textbook (pg. 16).
Buy The Man in the Banana Trees
From LitHub: "Marguerite Sheffer on Crafting a Collection of Century-Spanning Speculative Fiction"
"Marguerite Sheffer: These Stories Are an Intimate Map of What Scares Me" from Writer’s Digest
At about 2:05, Maggie shares a fun story about being published with George Bernard Shaw
At about 3:35, Maggie talks about her early reading life
At about 4:40, The two reflect on the evolving reputation of Star Wars and Star Wars fans
At about 6:05, Maggie shares how wine bottles led to writing an early and pivotal short story
At about 7:10, Maggie describes a gap in “actively writing” while teaching and interacting differently with writing
At about 8:10, Maggie lists texts and writers that helped her “reorder [her] brain”
At about 10:15, Pete and Maggie stan Tillie Olsen’s “I Stand Here ironing”
At about 12:05, Pete recounts a story about how he happened upon the great story by Shirley Jackson, “The Lottery”
At about 12:50, Maggie responds to Pete asking about what drew and draws her to science and speculative fiction
At about 13:50, Maggie highlights past guest Jamil Jan Kochai, Ken Liu, E. Lily Yu, Sofia Samatar, Clare Beams, Maurice Carlos Ruffin, the book The Safekeep, and others as contemporary writers who thrill and inspire
At about 15:05, Pete asks Maggie how teaching has inspired her writing
At about 16:45, Maggie cites Octavia Butler’s and Sandra Cisneros’ work and The Things They Carried and other texts that were favorites of her students
At about 18:10, The two discuss the epigraph and seeds for the short story collection
At about 19:50, The two discuss the collection’s first story and connection to Tillie Olsen’s idea of being “imprisoned in his own difference” and students being “othered”
At about 24:00, Maggie reflects on an important truth of fiction
At about 24:40, Maggie discusses famous unicorn tapestries that inspire a story of hers
At about 26:00, Pete compliments Maggie’s “delightfully weird” stories and “soft endings” and she responds to his questions about allegory/plot and “cool stories”
At about 27:40, Maggie talks about realizing the throughlines in her collections
At about 29:10, Maggie responds to Pete’s questions about writing in Covid times
At about 29:40, Pete cites examples of misogyny in the collection and asks about Joycleyn Bell and Maggie expands upon the story “The Observer’s Cage”-its genesis and connections to Jocelyn Bell Burnell
At about 32:20, Pete notes the use of animals as stand-ins for humanity and Maggie expands on deas of resistance as seen in the collection
At about 33:20, The two discuss ideas of redress and reclaiming the past through stories in the collection, especially “The Observer’s Cage”
At about 36:00, the two discuss a story with ghosts and ideas of “unfinished business” and capturing past natural greatness
At about 38:00, Maggie talks about sadly learning that an idea that she thought was original was not, as the two discuss a few stories about commercialism, dystopia, and climate change
At about 41:40, the two discuss middens, and themes of reclaiming what has been lost
At about 43:50, Pete notes an interesting story that deals with memory and AI, and Maggie talks about writing from a interesting-placed narrator
At about 45:40, Pete draws connections between a title character, Miriam Ackerman, and Truman Capote’s wonderful “A Christmas Memory”, while Maggie discusses the relationship between the title character and the narrator
At about 48:30, The two discuss violence and parental lack of control, especially in “Tiger on the Roof” and its memorable ending and creative plot
At about 51:45, Pete highlights the poignant and resonant closing line for the above story and connects the ending to Alice Elliott Dark’s classic, “In the Gloaming”
At about 53:20, The two discuss the collection’s title story and Maggie discuses inspiration from Carmen Maria Machado
At about 54:20, The two discuss the way the above story is “gutting” in its portrayal of the “banality of loss”
At about 57:30, Maggie reminds that the book is not just a “downer!”
At about 58:10, Maggie reads from “En Plein Aire”
At about 1:01:50, Maggie gives information on places to buy her book and social media and contact information
At about 1:02:40, Maggie shares information on some exciting new projects
You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow me on IG, where I’m @chillsatwillpodcast, or on Twitter, where I’m @chillsatwillpo1. You can watch this and other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both my YouTube Channel and my podcast while you’re checking out this episode.
I am very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. A big thanks to Rachel León and Michael Welch at Chicago Review.
Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl
Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting my one-man show, my DIY podcast and my extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!
This month’s Patreon bonus episode features segments from conversations with Jeff Pearlman, Matt Bell, F. Douglas Brown, Jorge Lacera, Jean Guererro, Rachel Yoder, and more, as they reflect on chill-inducing writers who have inspired their own work.
I have added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.
This is a passion project of mine, a DIY operation, and I’d love for your help in promoting what I’m convinced is a unique and spirited look at an often-ignored art form.
The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.
Please tune in for Episode 265 with Carvell Wallace. He is a writer and podcaster who has contributed to GQ, New York Times Magazine, Pitchfork, MTV News, and Al Jazeera, among others. His debut memoir, Another Word For Love, is a 2024 Kirkus Finalist in Nonfiction, and one of Pete’s all-time favorite memoirs.
The episode airs on December 10.
Lastly, please go to ceasefiretoday.com, which features 10+ actions to help bring about Ceasefire in Gaza.
Monday Nov 25, 2024
Monday Nov 25, 2024
Notes and Links to Fernanda Trías’ Work
Fernanda Trías was born in Uruguay and is the award-winning author of three novels, two of which have been published in English. She is also the author of the short story collection No soñarás flores and the chapbook El regreso. A writer and instructor of creative writing, she holds an MFA in creative writing from New York University. She was awarded the National Uruguayan Literature Prize, The Critics’ Choice Award Bartolomé Hidalgo, and the Sor Juana Inés de la Cruz International Prize in Mexico for her novel Pink Slime. Both The Rooftop and Pink Slime were awarded the British PEN Translates Award, and Pink Slime was chosen by The New York Times in Spanish as one of the ten best books of 2020. Translation rights for her work have been sold in fifteen languages. She currently lives in Bogotá, Colombia, where she is a teacher at the creative writing MFA program of Instituto Caro y Cuervo. In 2017, she was selected as Writer-in-Residence at the Casa de Velázquez in Madrid, where she started writing her latest novel, Pink Slime.
Fernanda Trias' Publisher Page for Simon and Schuster
Review of Pink Slime from Reactor Mag
At about 2:00, Pete and Fernanda discuss the book’s Spanish and English titles and different subtleties of each; Fernanda details how she decided to title the book as she dd
At about 3:20, Annie McDermott, Episode 91 and Mario Levrero shout outs!
At about 4:00, Fernanda discusses her reading life growing up, the ways in which better translations slowly came to Uruguay, and reading
At about 6:45, Fernanda talks about respect for Garcia Marquez, though not being a huge fan, and cites Juan Rulfo as “perfección”
At about 8:15, Pete expands on a Rulfo favorite of his, “No Oyes Ladrar los Perros,” and Fernanda expands on her love of Rulfo’s Pedro Paramo
At about 10:05, Fernanda talks about favorite contemporary authors, like Herta Muller and Olga Tokarczuk
At about 12:00, Pete shouts out Jennifer Croft, and Fernanda responds to Pete’s questions about why there is such a affinity for Eastern European writing in Latin América, and she specifies the Río Plata region as connected
At about 14:55, Fernanda describes her familial connections to Europe-particularly Italy and Spain
At about 17:15, Fernanda responds to Pete’s question about seeds for her writing life
At about 19:05, Fernanda references The Stranger and El Lugar by Levrero as chill-inducing books
At about 21:30, Pete is complimentary of Fernanda’s worldbuilding, and she expands on what she loves about it
At about 23:00, Pete and Fernanda discuss translation in her book, especially of colloquialisms like “ni fu ni fa”
At about 26:25, Fernanda responds to Pete’s question about climate change and other stimuli for Mugre Rosa/Pink Slime
At about 28:50, Pete mentions the book’s interesting dialogues that complement the action, and Fernanda expands on the evolving dialogues
At about 30:50, Fernanda talks about the book’s opening and the “first image” in her mind of a foggy port that creates an ambience for the book
At about 33:45, Pete shares laudatory blurbs for the book, especially about the book’s “envelop[ing]” world built by Fernanda
At about 34:25, Fernanda describes the book’s opening, including a pivotal scene involving a possible last fish
At about 37:05, Pete wonders about nostalgia, and Fernanda talks about her interest and lack of interest in certain ideas of what has been lost
At about 39:40, Fernanda discusses the relationship between the narrator and Max and its significance in the novel, especially in charting changes in the narrator as the book continues
At about 44:20, Pete points out a funny saying/joke from the book and Fernanda outlines her conversations with Heather Cleary in the translating of the joke
At about 46:05, The two discuss “surrendering and letting go” and connections to the novel and specifically, the narrator and Max’s relationship
At about 47:30, Pete lays out some basics on the relationships between the narrator and her mother, as well as her work situation with Mauro; Fernanda talks about how Covid’s social dynamics have mirrored so many parts of her novel and the ways in which the rich were able to move to safety
At about 51:45, the two discuss the differing relationships between the narrator’s two mother figure-Fernanda talks about the key questions of “What is a mother?”
At about 55:50, Fernanda and Pete discuss Mauro and his health condition and his memories of the time outlined in the book
At about 58:00, Pete and Fernanda reflect on ideas of community and if there is optimism/hope that comes with the book
At about 1:01:50, The two discuss ideas of systems and individuals’ culpability
At about 1:04:00, Fernanda gives social media info, and places to buy her book
You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow me on IG, where I’m @chillsatwillpodcast, or on Twitter, where I’m @chillsatwillpo1. You can watch this and other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both my YouTube Channel and my podcast while you’re checking out this episode.
I am very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. A big thanks to Rachel León and Michael Welch at Chicago Review.
Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl
Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting my one-man show, my DIY podcast and my extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!
This month’s Patreon bonus episode features segments from conversations with Jeff Pearlman, Matt Bell, F. Douglas Brown, Jorge Lacera, Jean Guererro, Rachel Yoder, and more, as they reflect on chill-inducing writers who have inspired their own work.
I have added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.
This is a passion project of mine, a DIY operation, and I’d love for your help in promoting what I’m convinced is a unique and spirited look at an often-ignored art form.
The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.
Please tune in for Episode 264 with Maggie Sheffer. She is Professor of Practice at Tulane University, where she teaches courses in design thinking and speculative fiction as tools for social change. She is a founding member of Third Lantern Lit, a local writing collective, and her debut short story collection, The Man in the Banana Trees, was selected by judge Jamil Jan Kochai for the Iowa Short Fiction Award, and is published as of November 5.
The episode airs on December 3.
Lastly, please go to ceasefiretoday.com, which features 10+ actions to help bring about Ceasefire in Gaza.
Monday Nov 18, 2024
Monday Nov 18, 2024
Notes and Links to Rus Bradburd’s Work
Rus Bradburd’s latest book is the satirical novel, “Big Time.” Rus attended Chicago Public Schools for eleven years before graduating from North Park College. After coaching basketball for fourteen seasons at UTEP and New Mexico State University, he left the game to study with Robert Boswell and Antonya Nelson—and pursue a life in writing. His five books focus on the intersections of sport, social progress, politics, and race. Rus has remained connected to the game through his acclaimed Basketball in the Barrio summer program in El Paso, as well as serving as NMSU’s television “color analyst.” He was awarded a Fulbright fellowship to return to Ireland to work on his next book about refugees in Belfast, “Almost Like Belonging.” An accomplished fiddle player, he lives in Chicago, Belfast, and New Mexico.
At about 2:00, Rus gives background on his fiddle playing and his time as color commentator for New México State University
At about 3:40, Rus talks about Big Time as his first work of fiction, as well as its nice timing, and he details how he worked on the book for many years
At about 5:40, Rus outlines some of the book’s exposition and plot, and talks about the current Colorado Football connections
At about 6:40, Rus talks about Univ of Chicago’s 1939 dropping of football and other stimuli for the book’s genesis, including Rick Russo’s work, and Dave Meggyesy's book
At about 8:40, Rus talks about satire and fiction and ideas of how fiction often gets at truth so well
At about 10:00, Rus gives more background on committee workloads and how the proliferation of committees and on particular example worked their ways into his book
At about 12:25, Rus talks about normalization of budget imbalance in universities
At about 13:30, Pete and Rus discuss the book’s epigraph, and Ruis talks about how the book satirizes college athletics, while he’s “knee-deep” in sports still
At about 15:30, Pete details a compare and contrast lesson that he teaches
At about 17:00, Rus responds to Pete’s question about the book’s opening and main characters Mooney and Braverman, history professors, working concessions at football games
At about 18:40, Rus gives background on “pop poet” Layla, and the ways in which she and the two history professors work together; Rus connects today’s conversations around student protests and protests in the book
At about 20:30, Rus talks about the downfall of the Coors State English Department in the book
At about 22:00, Rus cites the Missouri Football protest in fodder for a similar situation in his book
At about 23:00, Rus speaks about rich owners often asking taxpayers to finance big building projects
At about 24:20, Pete asks Rus about any inspirations for Layla, and he expands upon how the character evolved in his writing
At about 27:50, Pete charts the roles and importance of some characters in the book
At about 28:35, Rus discusses the financial costs and gains of big sport universities, and argues that the sporting program is taking away from education and educators
At about 33:00, Rus talks about a flawed system that puts so much work and so little compensation for adjunct instructors and showcases much hypocrisy
At about 35:00, Pete points out links between Braverman and Mooney’s activism and civil rights movements, and Rus connects to the push and pull that governs his own thoughts with regards to activism
At about 38:00, Rus talks about how the book’s events are in many ways reminiscent of fractures on the political Left
At about 40:25, Pete and Rus talk about NlL and how it relates to topics covered n the book, and whether/how NIL affected Rus’ writing
At about 44:00, Rus cites Dagoberto Gilb as an example of a writer who is successful while not being preachy, and how through satire, one can be a “little more message-heavy”
At about 45:50, Rus responds to Pete’s questions about satire and hyperbole and highlights how his writing the book made him love his characters
At about 48:45, Pete asks Rus about doing dystopia in The Age of Trump, and Rus cites David Shields and a tantalizing book idea that is now obsolete
At about 51:10, Pete wonders about Rus’ thoughts on the frenzied rise of legalized sports gambling, and Rus talks about further normalization of formerly-”sacreligious” things like beer sales at college games
At about 53:20, Rus cites Billy Lynn’s Long Halftime Walk as an influence on his book and talks about using a real beer company’s name
At about 54:45, Pete compliments Rus’ use of stream of consciousness
At about 56:30, Rus shares out information on readings and book events coming up, including one with Beto O’Rourke, and contact and book buying information
You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow me on IG, where I’m @chillsatwillpodcast, or on Twitter, where I’m @chillsatwillpo1. You can watch this and other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both my YouTube Channel and my podcast while you’re checking out this episode.
I am very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. A big thanks to Rachel León and Michael Welch at Chicago Review.
Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl
Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting my one-man show, my DIY podcast and my extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!
This month’s Patreon bonus episode features segments from conversations with Jeff Pearlman, Matt Bell, F. Douglas Brown, Jorge Lacera, Jean Guererro, Rachel Yoder, and more, as they reflect on chill-inducing writers who have inspired their own work.
I have added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.
This is a passion project of mine, a DIY operation, and I’d love for your help in promoting what I’m convinced is a unique and spirited look at an often-ignored art form.
The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.
Please tune in for Episode 263 with Fernanda Trías, award-winning author of three novels and the short story collection No soñarás flores; awarded the National Uruguayan Literary Prize, The Critics’ Choice Award Bartolomé Hidalgo, and Sor Juana Inés de la Cruz International Prize in Mexico for Pink Slime/Mugre Rosa.
The episode goes live on November 26.
Lastly, please go to ceasefiretoday.com, which features 10+ actions to help bring about Ceasefire in Gaza.
Tuesday Nov 12, 2024
Tuesday Nov 12, 2024
Notes and Links to Greg Mania’s Work
Greg Mania’s words have been published in The New York Times, The New Yorker, Vanity Fair, HuffPost, Oprah Daily, PAPER, among other international online and print platforms. He is also a contributing editor to BOMB Magazine, he hosts The Rumpus’s #ShowUsYourDesk on Instagram Live, and co-hosts Empty Trash, a reading series in Los Angeles. His debut memoir, Born to Be Public, is out now from CLASH Books.
He lives in Los Angeles, where he spends his days writing and hanging out with his boyfriend, the poet and TV writer Tommy Pico, whose commitment to the bit rivals his own.
Greg Mania’s Website
Lambda Literary Review of Born to Be Public
“How Born to Be Public Author Greg Mania Lived a Double Life Before Coming Out” for Oprah Daily
At about 2:10, Greg talks about growing up in Central New Jersey, and his cultural life and the ways in which New York City held a special magnetism for him
At about 5:35, Greg describes the different parts of New Jersey and its immortal malls
At about 6:45, Greg responds to Pete’s questions about growing up speaking Polish and whether his writing in English has parallels in Polish
At about 8:15, Greg explains how he’s a “word nerd” and how this and his family affects his joke creation
At about 9:40, Greg talks about how he and Ruth Madievsky vibe for me many reasons, including a shared affinity for dark humor
At about 12:30, Greg notes that Born to Be Public has been **translated into Polish**
At about 13:20, Greg gives background on Poland and its evolving conservatism and liberalism
At about 14:15, Greg shows his Beverly Cleary-related tattoo and shouts out his love of Garfield and other dark/weird humor in growing up; Phyllis Diller gets stanned
At about 16:30, n expanding upon his love for Pee Wee Herman, Greg talks about his love for and interest in persona
At about 17:40, Phyllis Diller gets stanned more as Greg notes an incredible sign from Phyllis/the universe
At about 19:25, Greg discusses the litany of publications with which he works, and being a “freelance” writer in a year of transformation
At about 21:20, Greg responds to Pete’s question about his writing routine
At about 24:50, Greg gives information on his upcoming novel project
At about 27:15, Greg answers Pete’s question about how taking his nonfiction to fiction is “freeing”
At about 30:10, Greg lists Ruth Madievsky, Samantha Irby, Emily Austin, Rufi Thorpe, Kristen Arnett, Chantal Johnson, Kimberly King Parsons as some of the writers who thrill and challenge her
At about 32:40, Greg responds to Pete’s asking about how one is funny on the page
At about 34:25, Greg makes a startling Friends’-related admission
At about 35:15, Pete and Greg discuss the interplay between the humor and heaviness in his book
At about 39:20, Sand art!
At about 40:30, Greg talks about advice from a writer about how he ended up writing a book that has resonated with so many
At about 41:30, Greg reflects on childhood fears and the ways in which he has worked through these fears and compulsions
At about 43:45, The two discuss fixations with death
At about 44:40, Greg gives background on his childhood fascination with chimneys and diesel trains, and his dad’s selflessness
At about 47:30, Greg talks about the ways in which his parents’ generosity and love was counterbalanced by homophobia and migraines and anxiety
At about 51:00, Greg details some harmful words from a childhood doctor
At about 53:15, Greg responds to Pete’s question about his mindset in retorting to bullies and he mentions the “power” that came with quips
At about 55:15, Pete connects Greg’s humor to a Tillie Olsen line and wonders about Greg’s feelings at the time
At about 57:45, Greg details how his friend Rachel brought him so much confidence and helped him build his humor
At about 1:00:00, Greg talks about the “no inhibitions” that govern his relationships with his boyfriend Tommy in the same way as with Rachel
At about 1:01:15, Greg charts how educating himself on his fears has been helpful, particularly with regards to “fight or flight”
At about 1:05:15, Pete notes a “LOL” moment that sums up a classic college trope
At about 1:07:30, Greg speaks to the idea of “identity as never neat”
At about 1:09:00, Greg talks about the links between his first friends in New York and Lady Gaga and the ways in which “Greg Mania” (MAYN-ee-uh) grew to fit him
At about 1:10:10, Greg discusses how his writing mentors in high school and college helped him on his way to professional writing
At about 1:13:20, Greg talks about the book as A memoir, and how it’s him “pars[ing] the different parts of [him]”
At about 1:15:50, Greg responds to Pete’s questions about his days at “Magic Mondays” and its connection to the worlds of publishing
At about 1:19:00, Greg talks about his “majestic” hair (Pete’s words) and the ways in which it was his calling card in his clubbing days
At about 1:20:40, Greg answers Pete’s questions about what comedy writing “satisfies” for him, and Greg expands on the “sacred[ness]” of joke writing
At about 1:23:00, Greg details the “reward” in writing jokes and talking humor with his boyfriend
At about 1:24:40, Greg talks about the difference between memoir/memoirs and how his book applies to the former
You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow me on IG, where I’m @chillsatwillpodcast, or on Twitter, where I’m @chillsatwillpo1.
I am very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. A big thanks to Rachel León and Michael Welch at Chicago Review.
Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl
Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting my one-man show, my DIY podcast and my extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!
This month’s Patreon bonus episode features segments from conversations with Jeff Pearlman, Matt Bell, F. Douglas Brown, Jorge Lacera, Jean Guererro, Rachel Yoder, and more, as they reflect on chill-inducing writers who have inspired their own work.
I have added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.
This is a passion project of mine, a DIY operation, and I’d love for your help in promoting what I’m convinced is a unique and spirited look at an often-ignored art form.
The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.
Please tune in for Episode 262 with Rus Bradburd, who teaches writing classes in New Mexico State University’s MFA program and coached basketball at UTEP and New Mexico State for fourteen seasons. His work has appeared in The Southern Review, Colorado Review, Puerto del Sol, SLAM Magazine, Bounce, Los Angeles Times, and many others. Rus is a two-time guest spoke about 2018 nonfiction book, All the Dreams We've Dreamed: A Story of Hoops and Handguns on Chicago's West Side on Chills at Will Episode 15. November 19 is Pub Day for Big Time, his fourth book and second novel. The episode airs on Pub Day.
Lastly, please go to ceasefiretoday.com, which features 10+ actions to help bring about Ceasefire in Gaza.
Tuesday Nov 05, 2024
Tuesday Nov 05, 2024
Notes and Links to Lauren Markham’s Work
Lauren Markham is a writer based in northern California. She is the author of the recent A Map of Future Ruins: On Borders and Belonging (Riverhead, 2024) which The New Yorker listed as one of “The Best Books We’ve Read in 2024 So Far” and which Kirkus reviews called “a remarkable, unnerving, and cautionary portrait of a global immigration crisis.”
A fiction writer, essayist and journalist, her work most often concerns issues related to youth, migration, the environment and her home state of California. Markham’s first book, The Far Away Brothers: Two Young Migrants and the Making of an American Life (Crown, 2017) was the winner of the 2018 Ridenhour Book Prize, the Northern California Book Award, and a California Book Award Silver Prize. It was named a Barnes & Noble Discover Selection, a New York Times Book Critics' Top Book of 2017, and was shortlisted for the J. Anthony Lukas Book Prize and the L.A. Times Book Award and longlisted for a Pen America Literary Award in Biography.
Markham has reported from the border regions of Greece and Mexico and Thailand and Texas; from arctic Norway; from gang-controlled regions of El Salvador; from depopulating towns in rural Sardinia and rural Guatemala, too; from home school havens in southern California; from imperiled forests in Oregon and Washington; from the offices of overwhelmed immigration attorneys in L.A. and Tijuana; from the upscale haunts of women scammed on the Upper East Side.
Her writing has appeared in outlets such as VQR (where she is a contributing editor), Harper's, The New York Times Magazine, The Guardian, The New York Review of Books, The New Republic, Guernica, Freeman's, Mother Jones, Orion, The Atlantic, Lit Hub, California Sunday, Zyzzyva, The Georgia Review, The Best American Travel Writing 2019, and on This American Life. She has been awarded fellowships from The Mesa Refuge, UC Berkeley, Middlebury College, the McGraw Center, the French American Foundation, the Society for Environmental Journalists, the Silvers Prize, the de Groot Foundation, and the Bread Loaf Writers' Conference.
In addition to writing, Markham has spent fifteen years working at the intersection of education and immigration. She regularly teaches writing in various community writing centers as well as at the Ashland University MFA in Writing Program, the University of San Francisco and St. Mary’s MFA in Writing Program. Her third book, Immemorial, will be published by Transit Books in 2025.
Los Angeles Review of Books’ Review of A Map of Future Ruins
At about 4:00, Lauren makes the case that not all young reading has to be high-brow as she discusses formative works as a kid and adolescent, which included Nancy Drew and Milan Kundera
At about 6:50, Lauren responds to Pete’s question about how she thinks and writes in diverse genres, and how her reading of varied writers informs her own work
At about 10:40, Lauren shouts out Vauhini Vara, Hernan Diaz, Nathan Heller, Jia Tolentino, and other treasured contemporary writers
At about 12:45, Lauren talks about how writing informs her teaching, and vice versa
At about 15:25, Pete asks Lauren about seeds for A Map of Future Ruins and how her work with many undocumented and refugee students has affected her writing
At about 19:00, Lauren and Pete discuss ideas of belonging and exclusion and pride and heritage in connection to Lauren’s Greek heritage and reporting trips there
At about 23:10, Ideas of “insiders” and “outsiders” and the challenges of immigration paperwork are discussed
At about 26:05, Pete and Lauren reflect on a powerful quote from Warsan Shire regarding people being impelled to emigrate
At about 26:55, Lauren gives background on the conditions that made Moria on the Greek slang of Lesbos a “purgatory”
At about 31:20, Demetrios, a representative Greek from the book, and his views on immigration and “speak[ing] bird” is discussed
At about 36:05, Lauren expands upon how Greece as the “starting point of democracy” has been corrupted and co-opted and points to a stellar expose on truth from Kwame Anthony Appiah
At about 41:50, The two discuss the arbitrary nature of “The West” and Greece and its ideals and ideas of a “Western lineage
At about 43:55, Lauren expands upon the ideas of “proximity to Whiteness” with particular historical relevance for Greeks, Italians, and Southern Europeans
At about 44:55, Pete and Lauren reference the horrific images of the Syrian refugee whose death galvanized support, as well as Ali Sayed’s story, traced in her book
At about 46:40, Lauren explains terminology and methods of doing business by Turkish and other smugglers
At about 48:10, Turkish and Greek relations and how they affected the lack of patrols is highlighted
At about 49:20, “The Moria Six” and Ali’s story and trials are discussed in relation to the fire referenced at the beginning of the book
At about 52:00, The impositions of maps and Empire are reflected upon
At about 53:05, “Whiteness” and its imposition on “classical form” and racist science are explored, as written about in the book
At about 54:55, The two trace the initial and later welcome for refugees to Greek islands and ideas of the original meaning of “asylum”; Lauren also highlights many incredible people helping refugees to this day, as well as ideas of “invaders” and scapegoats
At about 58:40, Discussion of Greek austerity and true issues of difficulty for are referenced
At about 59:50, The two discuss Lauren’s section in the book regarding Darien Gap and connections to Lauren’s family’s own emigration/immigration story
At about 1:02:00, The two highlight ideas of community among refugees, and Pete asks Lauren about pessimism and optimism and the book’s title
At about 1:03:25, Ali’s unfinished story is referenced
At about 1:04:05-Laser Round Questions! East Bay Booksellers, Point Reyes Books and Green Apple are shouted out as good places to buy her books
At about 1:05:05, Immemorial, Lauren’s 2025 release, is described
What a pleasure it has been to speak with Lauren. Continued good luck to her with her future writing and important work.
Thank you for listening to this episode of The Chills at Will Podcast.
You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow me on IG, where I’m @chillsatwillpodcast, or on Twitter, where I’m @chillsatwillpo1. You can watch this and other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both my YouTube Channel and my podcast while you’re checking out this episode.
I am very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. A big thanks to Rachel León and Michael Welch at Chicago Review.
Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl
Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting my one-man show, my DIY podcast and my extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!
This month’s Patreon bonus episode features segments from conversations with Jeff Pearlman, F. Douglas Brown, Matt Bell, Rachel Yoder, Jorge Lacera, and more, as they reflect on chill-inducing writing and writers that have inspired their own work.
I have added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.
This is a passion project of mine, a DIY operation, and I’d love for your help in promoting what I’m convinced is a unique and spirited look at an often-ignored art form.
The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.
Please tune in for Episode 261 with Greg Mania, who is a writer, comedian, and award-winning screenwriter. He’s also author of the debut memoir, Born to Be Public, which was an NPR Best Book of 2020 and an O, Oprah Magazine Best LGBTQ Book of 2020. Greg’s work has appeared in The New Yorker, Vanity Fair, Oprah Daily, PAPER, among other international online and print platforms.
This episode will air on November 12.
Lastly, please go to ceasefiretoday.com, which features 10+ actions to help bring about Ceasefire in Gaza.
Wednesday Oct 30, 2024
Wednesday Oct 30, 2024
Notes and Links to Jessica Whipple’s Work
Jessica Whipple writes for adults and children from her home in Eastern PA. Her poetry has been published recently in Funicular, Door Is a Jar, and Green Ink Poetry, and online at Whale Road Review, Anti-Heroin Chic, and Pine Hills Review. Her poem "Broken Strings" has been nominated for a 2023 Pushcart Prize in poetry.
She has published two children's picture books in 2023: Enough Is… (Tilbury House, illustrated by Nicole Wong) and I Think I Think a Lot (Free Spirit Publishing, illustrated by Josée Bisaillon).
To read more of Jessica’s work or to learn about her books, including praise and reviews, peruse her website or follow her on Twitter/X/Instagram @JessicaWhippl17.
Interview with WESA/NPR, Regarding I Think I Think a Lot
At about 2:20, Jessica gives background information on places to buy her books
At about 4:40, Jessica speaks to how her reading life is and was
At about 7:00, Jessca traces where her writing life kicked in and how her writing life was “reinvigorated”
At about 10:00, Julie Fogliano and other inspiring and beloved children’s authors are given kudos
At about 12:20, Jessica reads “This is What I’m Thinking at the Container Store”
At about 15:50, Jessica expands on the universality and specificity of her poem, talking about OCD as a “spectrum”
At about 19:00, The two reflect on some stellar and vivid lines from the poem
At about 21:00, Jessica breaks down the different mechanisms of OCD and focuses on the compulsions and obsessions in their mental and outward forms
At about 23:35, Jessica introduces and reads her poem, “ Sometimes I Google You”
At about 26:25, Jessica explains how she is “speaking to the memory” depicted in the poem
At about 29:30, Jessica provides a nice way to think of haiku, thanks to Tim Green
At about 32:45, Pete highlights the beautiful security given in Jessica’s work and other standout work
At about 33:40, Pete asks about the “Enough” from the title of Enough Is… and Jessica expands upon the “sense of importance” given to the word
At about 35:20, Jessica responds to Pete’s questions about using symbolism and analogy in books for kids
At about 37:00, Pete wonders about seeds for the book, I Think I Think a Lot
At about 40:15, Pete likens the apologies in the book to a Seinfeld episode
At about 41:20, Jessica talks about how the illustrator works off her writing
At about 42:45, Pete highlights the ways in which Jessica use nuance and asks Jessica about writing to engender empathy in kids
At about 44:40, Jessica reads and discusses “To My Husband Now a Father”
At about 48:20, Pete asks Jessica about writing about personal things and catharsis
At about 50:20, Lauren details exciting upcoming projects
You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow me on IG, where I’m @chillsatwillpodcast, or on Twitter, where I’m @chillsatwillpo1. You can watch this and other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both my YouTube Channel and my podcast while you’re checking out this episode.
I am very excited about having one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. A big thanks to Rachel León and Michael Welch at Chicago Review.
Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl
Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting my one-man show, my DIY podcast and my extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!
This month’s Patreon bonus episode features segments from conversations with Deesha Philyaw, Luis Alberto Urrea, Chris Stuck, and more, as they reflect on chill-inducing writing and writers that have inspired their own work.
This is a passion project of mine, a DIY operation, and I’d love for your help in promoting what I’m convinced is a unique and spirited look at an often-ignored art form.
The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.
Please tune in for Episode 260 with Lauren Markham, whose writing regularly appears in outlets like Harper's, Lithub, The New York Times Magazine and VQR. She is the author of The Far Away Brothers: Two Young Migrants and the Making of an American Life, the winner of the 2018 Ridenhour Book Prize and a CA Book Award Silver Prize. Her most recent book, A Map of Future Ruins: On Borders and Belonging, is out in 2024 to acclaim.
The episode airs on November 5.
Lastly, please go to ceasefiretoday.com, which features 10+ actions to help bring about Ceasefire in Gaza.
Tuesday Oct 22, 2024
Tuesday Oct 22, 2024
Show Notes and Links to Porochista Khanpour's Work
For Episode 258, Pete welcomes Porochista Khakpour, and the two discuss, among other topics, her harrowing departure from Iran to the US at a young age, her voracious reading and writing and storytelling, amazing life experiences that have fed her writing, her love of contemporary stan culture and KPop, how her latest book’s release is different, seeds for Tehrangeles, modern wellness and conspiracy theory cultures, her experiences with the real Tehrangeles, the role of the outsider as a writer, and so much about themes and topics related to her novel, like celebrity worship, assimilation, cancel culture, and racism.
Porochista Khakpour was born in Tehran and raised in the greater Los Angeles area. She is the critically acclaimed author of two previous novels, Sons and Other Flammable Objects and The Last Illusion; a memoir, Sick; and a collection of essays, Brown Album. Her writing has appeared in The New York Times, The Washington Post, the Los Angeles Times, The Wall Street Journal, Bookforum, Elle, and many other publications. Her latest book is Tehrangeles. She lives in New York City.
“Writing Iranian America…”-2020 Interview from Columbia Journal
At about 1:45: Pete gets the wrong vegetable in remembering his first exposure to Porochista’s excellent work
At about 2:45, Porochista talks about the year in publishing and the ways in which this year’s tragedies have been in juxtaposition to careful and affectionate feedback for her novel
At about 7:30, Porochista and Pete discuss some politicians’ cowardice and Porochsta’s book as a “weird distraction”
At about 10:20, Pete asks Porochista about writing satire in an increasingly off-its-hinges world
At about 13:20, Porochista talks about the 1%, richest of the richest, and how “this sort of madness of wealthy people during the beginning of the pandemic”
At about 15:10, Porochsta gives background on the acquisition of her novel
At about 17:25, The two highlight Danzy Senna’s great work
At about 18:20, Porochista cites examples of “dark humor” that at times run through Persian cultures
At about 20:10, Porochista reflects on the idea of “perpetual outsiders” and the effect on writing
At about 21:40, Porochista details her family’s fleeing Iran and the traumas and memories that came with her odyssey to arriving in the US
At about 24:30, Porochista traces the way that Iran was often viewed by Americans at the time in which her family arrived in the US
At about 25:15, Porochista responds to Pete’s questions about her early reading and writing and language life, both in English and Persian
At about 31:45,
At about 32:50, Porochista talks about she’s been described as a “maximalist” and the connection to Persian as her first language
At about 34:35, Porochista talks about representation in the texts she read growing up and her early love of particular works that allowed her to learn about the Western canon in order to enjoy it and resist it
At about 37:30, Porochista charts her reading journey from Faulkner to Morrison to Sartre to the Beat Poets and describes her self-designed silent book reading “retreat”
At about 40:20, Porochista describes her reading and writing as responses to her life experiences and her identity revolving around writing
At about 41:35, Porochista describes transformative and formative texts and mentors and her time at Sarah Lawrence College and Oxford
At about 43:50, Porochista talks about the ways in which her reading was affected by how women writers are often limited, and how this connects to her seeking out adventure and life experience in living as a writer, including her going to William Faulkner Country
At about 49:45, The two make appreciations of James Joyce’s work
At about 50:55, Porochista makes a case for contemporary writing as comprising a “golden era”
At about 52:00, Pete wonders if and how Porochsta has been influenced by Bret Easton Ellis and David Foster Wallace
At about 54:45, Porochista talks about ways in which Less than Zero and American Psycho and Donna Tartt’s work have affected the sensibility of Tehrangeles and especially its ending
At about 59:15, Porochista talks about “dream” casting in case the novel becomes a movie, including Tara Yummy
At about 1:01:00, Porochista talks about the “twisted logic” found on many of the chat rooms/forums she spent time in for book research
At about 1:04:15, Porochista talks about how Louisa May Alcott’s Little Women and Alcott’s experience informed the writing of Tehrangeles
At about 1:07:55, The two discuss how Shahs of Sunset affected the novel
At about 1:10:00, Porochista explains her rationale in making the book’s reality show producers a collective
At about 1:10:45, Porochista responds to Pete’s question about the book’s epitaphs
At about 1:13:55, Porochista talks about the book’s untranslated Persian section and “progress” in people’s understanding
At about 1:15:20, Pete cites and quotes the book’s opening litany and the exposition of Book I
At about 1:16:20, Porochista describes a raucous scene where Roxana, a main character, goes through a “zodiac reassignment”
At about 1:17:50, Porochista digs into Roxana’s “Secret”
At about 1:19:10, The two lament Kanye West’s horrible recent behavior and other misogynists and abusers, in connection with the setting of the book
At about 1:22:30, The two discuss the world of influencers and their effect on younger generations in line with the characters of the book
At about 1:24:20, Pete recounts the Milani family members and their views of the
At about 1:26:00, Porochista recounts inspiration for Violet’s sweets diet from an interview with Momofuku’s Christina Tosi and Porochista’s time at Sarah Lawrence
At about 1:28:00, The two discuss Violet’s experience with a racist and demeaning model shoot that plays on her Iranian heritage
At about 1:29:30, Porochista reflects on Tehrangeles culture and its connection to religion
At about 1:30:35, Porochista discusses KPop and “stan culture” and how Mina “found her voice” through these online forums
At about 1:34:20, Porochista talks about purposely focusing on realistic and empathetic portrayals of gender identity
At about 1:38:30, The two discuss Hailey as representative of the intersections between Covid conspiracy theories and racism and “hidden” CA racism and wellness culture
At about 1:40:00, Porochista talks about her own experiences with the “dark wu wu” of the wellness cultures during her own fragile
At about 1:44:00, The two discuss Ali (Al) and his leaving Iran behind and how he seeks Americanization and how he makes his fortune
At about 1:46:15, Porochista likens events of the book, “The World of Al” to the DJ Khaled song
At about 1:48:05, The two discuss Roxana’s desire to have a blowout early Covid-era party and how the physical “wings” of the house connect to the sisters’ different growing pains and goals and ethics
At about 1:50:40, The two riff on some beautifully absurd scenes in the book, including a pet psychic’s appearance
At about 1:51:50, Porochista gives background on deciding to do untranslated Persian in the book and about Homa and the ways she doesn't want to be part of Tehrangeles; also Editor Maria Goldberg Love
At about 1:55:10, Pete asks about the rationale and background for the book’s ending using stream of consciousness
At about 1:57:15, Porochista shouts out Golden Hour Books and City of Asylum Books, and other places to buy her book, including Shawnee, Kansas’ Seven Stories, run by 17 yr old Halley Vincent
At about 1:59:45, Porochista shouts out the stellar Deep Vellum and Verso and writers like
At about 2:01:05, Porochista talks about exciting upcoming projects
You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow me on IG, where I’m @chillsatwillpodcast, or on Twitter, where I’m @chillsatwillpo1. You can watch this and other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both my YouTube Channel and my podcast while you’re checking out this episode.
I am very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. A big thanks to Rachel León and Michael Welch at Chicago Review.
Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl
Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting my one-man show, my DIY podcast and my extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!
This month’s Patreon bonus episode features segments from conversations with Deesha Philyaw, Luis Alberto Urrea, Chris Stuck, and more, as they reflect on chill-inducing writing and writers that have inspired their own work.
I have added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.
This is a passion project of mine, a DIY operation, and I’d love for your help in promoting what I’m convinced is a unique and spirited look at an often-ignored art form.
The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.
Please tune in for Episode 259 with Jessica Whipple. Jessica writes for adults and children, and her poetry has been published recently in Funicular, Door Is a Jar, and many more. She has published two children's picture books in 2023: Enough Is… and I Think I Think a Lot.
The episode will air on October 29.
Lastly, please go to ceasefiretoday.com, which features 10+ actions to help bring about Ceasefire in Gaza.
Friday Oct 18, 2024
Friday Oct 18, 2024
Notes and Links to Mirin Fader’s Work
For Episode 257, Pete welcomes Mirin Fader for her second Chills at Will visit, and the two discuss, among other topics, her love of contemporary fiction, how her second book’s release is different than that of her first, seeds for her latest book-Dream, about the great Hakeem Olajuwon-coming from her previous blockbuster about Giannis Antetokounmpo, her finding stories within stories while researching the book, and the wonders and legends of Hakeem Olajuwon, from his start in handball and soccer to the ignorant and racist ways he was often viewed, to the role that discipline, creativity, and his faith play in his daily life.
Mirin Fader is a senior staff writer for The Ringer. Her first book, Giannis: The Improbable Rise of an NBA Champion, was a New York Times Bestseller, Los Angeles Times Bestseller, Wall Street Journal Bestseller, USA Today Bestseller, Publishers Weekly Bestseller. She has profiled some of the NBA’s biggest stars, including Giannis Antetokounmpo, Ja Morant, DeMar DeRozan, and LaMelo Ball, telling the backstories that have shaped some of our most complex, most dominant, heroes. Fader wrote for Bleacher Report from 2017 to 2020 and the Orange County Register from 2013 to 2017. Her work has been featured in the “Best American Sports Writing” series and honored by the Pro Basketball Writers Association, the Associated Press Sports Editors, the U.S. Basketball Writers Association, the Football Writers Association of America, and the Los Angeles Press Club.
At about 2:50, Mirin discusses her love of fiction and beloved contemporary texts, including Tommy Orange’s latest, and Sudanese writer, Rania Mamoun’s latest
At about 4:40, Mirin responds to Pete’s question about any sort of competitiveness within writers in Mirin’s cohort, and Pete and Mirin stan Wright Thompson
At about 6:30, Pete highlights Demar Derozan’s recent book and Mirin’s profile of him for The Ringer
At about 9:45, Mirin gives background on her profile of Bronny James and what “lane” she focused on for the piece
At about 12:30, Some all-time NBA rankings!
At about 14:45, Pete cites the book about Giannis and its lasting greatness
At about 15:05, Pete asks Mirin about the run-up to her second book and feedback
At about 16:10, Mirin mentions the nostalgia associated with Hakeem Olajuwon
At about 17:30, Mirin talks about the “unheralded” nature of Hakeem, as well as the emergence of international basketball players, particularly with African players, for which he was a “prequel”
At about 19:25, Mirin gives background on Ben Okri’s quote for her epigraph and its connection to Hakeem and devotion and creativity
At about 20:10, The two discuss the book’s Prologue and LeBron James famous trip to train with Hakeem in 2011
At about 22:40, Henri de Ybarrondo and his importance to Hakeem and his spiritual resurgence is referenced
At about 24:00, Mirin discusses her wonderful experiences in going to Hakeem’s mosque in Houston
At about 25:00, Pete asks Mirin to expand on Hakeem as a “hidden one,” and connections to a hadith quoted from the Koran
At about 26:30, The two discuss the book’s beginning, and Mirin talks about the bustling city of Lagos, Hakeem’s childhood (and later American media racism in describing his youth), and how his father taught him to be proud of his size
At about 29:10, Mirin talks about Hakeem's early athletic feats outside of basketball, and how he was “recruited” to finally give in and play basketball
At about 31:20, Pete and Mirin reflect on the sad fact that so many interviewees for the book have died recently and how this affects her urgency to get stories on paper
At about 32:35, Mirin responds to Pete’s wondering about how Hakeem’s 1980 Nigerian National Team appearance affected his growth
At about 34:10, The “Dream Shake” and Yomi Sangodeyi’s greatness and tutoring are explored
At about 35:00, Christopher Pond and the supposed origin story of Hakeem’s Univ. of Houston landing, as well as problematic parts of the story are probed
At about 38:50, Mirin talks about Hakeem’s time in Houston and the city’s growing Nigerian population
At about 40:10, Mirin expands upon the ignorant and racist ways in which Hakeem was written about, especially in his earlier years, and she shares the story of how him “changing his name”
Was emblematic of his humble nature
At about 42:55, Mirin highlights how Hakeem was never seen as a draft mistake, even though he was drafted over Michael Jordan, and Pete cites Frank Guidry’s book on Houston and how the Forde Center helped Hakeem improve greatly as a Rocket
At about 44:15, Pete cites Hakeem’s moving letter referenced in the book, and how Mirin charts his rediscovering his faith through some amazing and makes it clear that he never “converted” to Islam
At about 46:45, The two reflect on and express the amazement and respect for Hakeem’s Ramadan fasting during his playing days
At about 47:45, Pete and Mirin stan Hakeem’s unforgettable series against David Robinson
At about 48:45, Mirin talks about how Hakeem’s faith calls for him to not display iconography and show humility and how the book’s cover satisfied the requirements of being respectful
At about 50:45, Mirin shouts out Brazos Bookstore and Skylight Books as good places to buy her book, and shouts out her first tour
You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow me on IG, where I’m @chillsatwillpodcast, or on Twitter, where I’m @chillsatwillpo1. You can watch this and other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both my YouTube Channel and my podcast while you’re checking out this episode.
I am very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. A big thanks to Rachel León and Michael Welch at Chicago Review.
Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl
Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting my one-man show, my DIY podcast and my extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!
This month’s Patreon bonus episode features segments from conversations with Deesha Philyaw, Luis Alberto Urrea, Chris Stuck, and more, as they reflect on chill-inducing writing and writers that have inspired their own work.
I have added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.
This is a passion project of mine, a DIY operation, and I’d love for your help in promoting what I’m convinced is a unique and spirited look at an often-ignored art form.
The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.
Please tune in for Episode 258 with Porochista Khakpour, the critically acclaimed author of two previous novels, Sons and Other Flammable Objects and The Last Illusion; a memoir, Sick; and a collection of essays, Brown Album. Her writing has appeared in The New York Times, The Washington Post, the Los Angeles Times, The Wall Street Journal, Bookforum, Elle, and many other publications. Her latest book, a chaotic and satirical stellar work, is Tehrangeles.
This episode will air on October 22.
Lastly, please go to ceasefiretoday.com, which features 10+ actions to help bring about Ceasefire in Gaza.
Wednesday Oct 09, 2024
Wednesday Oct 09, 2024
Notes and Links to Andrew Maraniss’ Work
For Episode 256, Pete welcomes Andrew Maraniss, and the two discuss, among other topics, carefree days of baseball card trading, formative writers and social justice activists, seeds for his latest series on inspiring contemporary athletes and their fights for justice, “writing” versus “sportswriting,” Glenn Burke and his singular fight for equality, how Andrew views writing about social issues in ways that young people can understand, and the restorative and challenging power that books hold.
Andrew Maraniss is the New York Times-bestselling author of narrative nonfiction; his first book, Strong Inside, about Perry Wallace, the first African-American basketball player in the SEC, won the 2015 Lillian Smith Book Award. He has recently launched a series of early chapter books for young readers, BEYOND THE GAME: Athletes Change the World, which highlights athletes who have done meaningful work outside of sports to help other people.
Buy Singled Out: The True Story of Glenn Burke
At about 1:30, Andrew talks about his family legacy of writing, and his early writing and reading
At about 4:40, Andrew talks about his baseball love and love of other sports
At about 5:50, the two discuss spreading baseball love in their families
At about 7:15, Andrew responds to Pete’s questions about formative sportswriters and how Andrew sees “sportswriting” versus “writing”
At about 10:25, Pete and Andrew lament missed opportunities with valuable sports memorabilia
At about 13:10, The two begin to discuss Singled Out: The True Story of Glenn Burke and highlight Dusty Baker’s key role
At about 14:10, Pete highlights the bold and moving way that Andrew starts th book in 1977, with Glenn struggling on the streets of San Francisco’s Tenderloin
At about 18:30, Pete asks Andrew about the “double life” he writes about with regard to Glenn’s minor league and major league careers
At about 21:50, Andrew recounts the story of the purported first high-five and Dusty Baker and Glenn Burke’s roles
At about 25:50, the two discuss Al Campanis’ offer to Glenn and Glenn’s last days as a Dodger
At about 30:50, Andrew discusses the homophobic reactions that led to the shunning by the A’s of Glenn
At about 32:45, Pete compares Glenn’s behaviors to that of a later career Jackie Robinson and Andrew talks about how Glenn had a tenuous amount of agency
At about 34:00, Andrew details Glenn’s time with Bay Area softball, and up and downs in his life, and how life in the Castro District in SF turned horrendous
At about 36:00, Andrew cites Dusty Baker as a great interview and a great guy
At about 37:05, Andrew responds to Pete’s questions about moments of joy in Glenn’s painful last years and reflects on Glenn Burke’s legacy
At about 38:50, Andrew talks about Tommy Lasorda, Jr., and connections to Glenn’s story; Pete and Andrew both cite an engrossing article by Peter Richmond
At about 41:10, Pete is highly complimentary of Andrew’s work and its progressive nature and
At about 42:00, Pete asks Andrew about seeds for his Athletes Change the World series, and Andrew cites book bans and hopes for his Glenn Burke book to be more widely-read; Andrew also details his books and connections to social issues
At about 45:20, Andrew riffs on his books on LeBron James and Maya Moore and an upcoming book on Pat Tillman
At about 47:00, Jordan Marie Brings Three White Horses Whetstone is discussed, in connection with murdered indigenous women and Andrew’s book about her
At about 48:10, Pete highlights a philosophy that Andrew uses in his books and his calls to action
At about 49:15-LeBron love! Andrew details what he learned about LBJ through his book
At about 52:40, Pete compliments the “surrounding infrastructure” of Andrew’s work and asks him about difficulty in writing fewer words and for children with serious topics
At about 56:30, Andrew details an imminent YA/adult book on the first Special Olympics
At about 58:30, Andrew shouts out contact info, places to buy his books, and social media info
You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow me on IG, where I’m @chillsatwillpodcast, or on Twitter, where I’m @chillsatwillpo1. You can watch this and other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both my YouTube Channel and my podcast while you’re checking out this episode.
I am very excited about having one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. A big thanks to Rachel León and Michael Welch at Chicago Review.
Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl
Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting my one-man show, my DIY podcast and my extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!
This month’s Patreon bonus episode features segments from conversations with Deesha Philyaw, Luis Alberto Urrea, Chris Stuck, and more, as they reflect on chill-inducing writing and writers that have inspired their own work.
This is a passion project of mine, a DIY operation, and I’d love for your help in promoting what I’m convinced is a unique and spirited look at an often-ignored art form.
The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.
Please tune in for Episode 257 with Mirin Fader, a senior staff writer for The Ringer. I was honored to talk to her for Episode 76, about her first book, Giannis: The Improbable Rise of an NBA Champion, which was a New York Times Bestseller. Her newest book Dream: The Life and Legacy of Hakeem Olajuwon is out on this day, October 15, when the episode drops.
Lastly, please go to ceasefiretoday.com, which features 10+ actions to help bring about Ceasefire in Gaza.
Monday Sep 30, 2024
Monday Sep 30, 2024
Notes and Links to Chris Knapp’s Work
For Episode 255, Pete welcomes Chris Knapp, and the two discuss, among other topics, a fascination with Elena Ferrante, James Joyce, and other dynamic writers, the interplay between journalism and fiction writing, seeds for his debut novel, the significance of its title, the drawbacks and benefits of writing about such recent times, and salient themes and issues in his novel like colonialism, marital alienation and connection, ennui, and the creep of dystopian mores.
Christopher Knapp’s work has appeared in print in the Paris Review and the New England Review, and online at Granta and n+1, among others. He’s been a work-study scholar at the Bread Loaf Writers' Conference, and earned an MFA in Creative Writing at the University of Virginia. His novel, States of Emergency, was published on September 3 by Unnamed Press. He lives in Paris with my wife, and teaches in the journalism program at the Sorbonne.
At about 2:50, Chris talks about what it’s been like in the run-up to publication
At about 4:00, Chris describes his early literary life and battles with spoilers
At about 7:10, Pete and Chris discuss and cite the greatness of Faulkner and Joyce’s work
At about 9:30, Pete highlights a wonderfully Joycean sentence (one of many) from Chris’ novel
At about 10:25, Chris shouts out inspiring and thrilling writers, including Rachel Cusk, Don DeLillo, and Sebald, and Elena Ferrante
At about 14:10, The two discuss Paris and Naples and prices and experiences
At about 16:30, Chris responds to Pete’s questions about the interplay between his journalistic background and his fiction writing
At about 19:45, Pete and Chris reflect on the interesting ways in which the book’s narrator functions in the book and connects to
At about 21:15, Chris speaks about seeds for his novel
At about 22:20, The two discuss Chris deciding to start the book with a heat wave and political and cultural
At about 24;45, Chris talks about the fertility procedures that run throughout much of the book and the way waiting relates
At about 27:00, Chris delineates between hope and optimism and how these two qualities characterize the narrator and his wife Ella
At about 29:20, The two discuss ideas of sympathy and empathy and comfort and shared pain
At about 31:50, Chris responds to Pete’s questions about the narrator’s writing and charting his and Ella’s experiences
At about 32:45, Chris reflects on the narrator’s writing and the way that Ella sees him and his writing; he references Raven Leilani and writing on grief
At about 34:45, The two discuss the ways in which French colonialism and racism is seen (or not) in the book and in the world
At about 36:40, Pete highlights the dark humor of the book, and Chris expands on some of the humor and how it flows for him
At about 39:35, The two discuss the “carnality” of a climatic scene in Ella and the narrator’s relationship
At about 42:20, Chris charts the importance of a getaway for Ella in Skopje
At about 44:20, Pete cites a period of separation between the two main characters and asks Chris about the significance of the book’s title
At about 49:00, Chris responds to Pete’s questions about the drawbacks and benefits and vagaries of perspective in the novel
At about 55:25, Chris reflects on narrative and its connections to history and to the novel
At about 57:00, Pete compliments two anecdotes/scenes from the book, compares Ella’s story of the French and Algerians to Wolff’s “In the Garden of the North American Martyrs,” and Chris expands on the views of the narrator’s family
At about 1:02:50, Chris gives contact information, book purchasing info, and social media info
At about 1:04:20, Chris talks about what he’s working on and wants to write about in the future
You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow me on IG, where I’m @chillsatwillpodcast, or on Twitter, where I’m @chillsatwillpo1. You can watch this and other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both my YouTube Channel and my podcast while you’re checking out this episode.
I am very excited about having one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. A big thanks to Rachel León and Michael Welch at Chicago Review.
Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl
Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting my one-man show, my DIY podcast and my extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!
This month’s Patreon bonus episode features segments from conversations with Deesha Philyaw, Luis Alberto Urrea, Chris Stuck, and more, as they reflect on chill-inducing writing and writers that have inspired their own work.
This is a passion project of mine, a DIY operation, and I’d love for your help in promoting what I’m convinced is a unique and spirited look at an often-ignored art form.
The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.
Please tune in for Episode 256 with Andrew Maraniss, a New York Times-bestselling author of narrative nonfiction. His first book, Strong Inside, about Perry Wallace, the first African-American basketball player in the SEC, won the 2015 Lillian Smith Book Award. Andrew recently launched a series of early chapter books for young readers, BEYOND THE GAME: Athletes Change the World, which highlights athletes who have done meaningful work outside of sports to help other people.
The episode will air on October 1.
Lastly, please go to ceasefiretoday.com, which features 10+ actions to help bring about Ceasefire in Gaza.
Monday Sep 23, 2024
Monday Sep 23, 2024
Notes and Links to Jami Attenberg’s Work
For Episode 254, Pete welcomes Jami Attenberg, and the two discuss, among other topics, seeds for her newest novel, the significance of its title, research and its connection to continuity, and salient themes and issues in her novel like grief and intergenerational traumas, the rapid development of digital technology and its ever-changing effects on society, conventional and unconventional family bonds, and guilt.
Jami Attenberg is the New York Times bestselling author of nine books, including The Middlesteins, All Grown Up and a memoir, I Came All This Way to Meet You: Writing Myself Home. She is also the creator of the annual online group writing accountability project #1000wordsofsummer, which inspired the recently published USA Today bestseller 1000 Words:A Writer’s Guide to Staying Creative, Focused, and Productive All Year Round. Jami has also written for The New York Times Magazine, The New Yorker, The Wall Street Journal, the Sunday Times, The Guardian, and others. Her work has been published in sixteen languages.
Her debut collection of stories, Instant Love, was published in 2006, followed by the novels The Kept Man and The Melting Season. Her fourth book, The Middlesteins, was published in October 2012. It appeared on The New York Times bestseller list, and was published in ten countries in 2013. It was also a finalist for both the Los Angeles Times Book Prize for Fiction and the St. Francis College Literary Prize. Her fifth book, Saint Mazie, was described by The New York Times Book Review as, “full of love and drink and dirty sex and nobility.” Her sixth book, All Grown Up, was a national bestseller, appearing on numerous year-end lists. Her most recent novel, All This Could Be Yours, for which Kirkus dubbed her, “poet laureate of difficult families,” also appeared on a number of year-end lists. In 2022 she published a memoir, I Came All This Way to Meet You: Writing Myself Home, which USA Today called, “a fierce memoir of personal transformation.”
In January 2024 she published the creativity book, 1000 Words:A Writer’s Guide to Staying Creative, Focused, and Productive All Year Round which was praised on The Today Show, NPR, and elsewhere. In September 2024 she will also publish a new novel, A Reason to See You Again.
She lives in New Orleans, LA.
New York Times Review of A Reason to See You Again
Excerpt of A Reason to See You Again from People Magazine
Jami Attenberg Website
At about 3:20: Jami describes her mindset as her 10th book is set to be published within the week
At about 4:40, Jami details her exciting book tour, including a cool stop in Ireland for a book festival
At about 8:00, Jami describes which books of her own and of others are “in conversation” with her latest
At about 11:10, Pete and Jami share a few interesting and complimentary and funny reviews
At about 12:10, Jami responds to Pete’s wondering about seeds for the book
At about 13:40, Pete cites the book’s first scene and its focus on a pre-Internet world; Jami expands upon her mindset in showing the changes in technology in the book’s 46 year-arc
At about 16:00, Jami remarks on the ways in which she wanted to have work and technology as background and not at the forefront, and how it is and isn’t a “work novel”
At about 17:30, The two laugh over a labeling of the book as “historical fiction”
At about 18:10, Pete highlights Jami’s trendsetting abilities involving “demure”
At about 19:15, Pete notes the interesting ways in which Jami structures her dialogue
At about 20:45, Jami responds to Pete’s questions about how she maintained continuity in writing the book chronologically or not
At about 23:25, Pete asks Jami about the background of the evocative first line of the novel
At about 25:55, The two discuss Rudy, the “hero” of the members of the Cohen family, and the ways in which Jami sees him
At about 28:15, Jami discusses Frieda and what she may have been missing in her life
At about 30:00, Jami reflects on the balance and relationship between Shelley and Nancy, the sisters
At about 33:30, Jami responds to Pete’s questions about familial connections over generations
At about 36:00, Frieda and her resignation towards her daughters and Robby and Nancy’s relationship is discussed
At about 39:10, Generational traumas and guilt are discussed
At about 42:40, Jami shouts out helpful feedback from helpful writer friends in expanding parts of the novel
At about 43:35, Pete and Jami reflect on two interesting pairs and family dynamics
At about 47:25, Jami details how her current novel title happened, and the importance of this title
At about 49:25, Jami shouts out some favorite bookstores to buy her novel
You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow me on IG, where I’m @chillsatwillpodcast, or on Twitter, where I’m @chillsatwillpo1. You can watch this and other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both my YouTube Channel and my podcast while you’re checking out this episode.
I am very excited about having one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. A big thanks to Rachel León and Michael Welch at Chicago Review.
Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl
Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting my one-man show, my DIY podcast and my extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!
This month’s Patreon bonus episode features segments from conversations with Deesha Philyaw, Luis Alberto Urrea, Chris Stuck, and more, as they reflect on chill-inducing writing and writers that have inspired their own work.
This is a passion project of mine, a DIY operation, and I’d love for your help in promoting what I’m convinced is a unique and spirited look at an often-ignored art form.
The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.
Please tune in for Episode 255 with Chris Knapp, whose work has appeared in print in the Paris Review and the New England Review, among other publications. His novel, States of Emergency, from Unnamed Press, has Sept 17 as its Pub Day and has been widely-acclaimed, including by the masterful Brandon Taylor.
The episode will air on September 27.
Lastly, please go to ceasefiretoday.com, which features 10+ actions to help bring about Ceasefire in Gaza.
Tuesday Sep 17, 2024
Tuesday Sep 17, 2024
Notes and Links to Akshaj Mehta’s Work
For Episode 253, Pete welcomes Akshaj Mehta, and the two discuss, among other topics, his early experiences with bilingualism, formative and transformative writers and writing, beautiful trips with his mother to the library, his interest in representation of multidimensional and diverse characters and stories, a paradigm shift in reading Steph Cha, his evolving writing and salient themes and issues in his work like multiculturalism, subtlety, and unbiased writing.
Akshaj Mehta, who has been writing since he was four years old, is currently studying political science at UCLA as a second year student. Akshaj is an author with five published books, the most recent titled The Butterfly Effect, which was created in collaboration with the non-profit KidsFirst Roseville. He has also written for the N Magazine and Sacramento School Beat.
Akshaj’s Story, “The Tragedy of Antonio Solaris”
At about 1:40: Akshaj talks about college life as an incoming sophomore
At about 2:20, Akshaj
At about 4:10, Akshaj talks about sparks for his love of reading-shout out to mothers who bring kids to libraries
At about 6:20, Akshaj expands on the plot of his first novel, Super Mouse
At about 7:10, Akshaj responds to Pete’s questions about an important writing assignment about the power of his name
At about 9:20, Akshaj reads the opening of the article mentioned above
At about 10:25, Akshaj responds to Pete asking about the experience of writing about his name and if the writing of it was “cathartic”
At about 11:35, Akshaj reflects on how he looks back at the topics of the article and how he sees his experiences now
At about 13:10, Akshaj replies to Pete’s question about books that have inspired and challenged him-he shouts out Steph Cha’s Your House Will Pay
At about 14:20, Pete follows up on how Akshaj might see Cha’s book differently after a few years and spending time in LA; Akshaj also talks about how an assignment in English class based on the novel brought him back into fiction
At about 18:00, Pete and Akshaj read from and discuss Akshaj’s story written in English class, “The Tragedy of Antonio Solaris”
At about 19:00, Akshaj talks about the variety of articles he has written for UCLA publications
At about 20:25, Akshaj’s view of journalism and heavy topics and philosophies are discussed
At about 24:00, Akshaj shares an interesting idea about mitigating bias in journalistic work
At about 24:40, Akshaj’s talks about his school senior project and connections to ideas of representation and his book for children, The Butterfly Effect
At about 26:35, Akshaj’s pinpoints how he and illustrator Alexa Bandala approached the art for his children’s book
At about 30:00, Akshaj’s reflects on lessons learned from reading stories with diverse representation to young kids
At about 32:40, Akshaj shares his experience in mock trial and how having to be persuasive has informed and changed his writing
At about 36:10, Pete wonders if/how Akshaj’s reading is different now that he is a published author, and Akshaj’s expands on how his writing has evolved
At about 39:15, Akshaj talks about his initial reading and later views of Krakauer’s Into the Wild
At about 41:00, Akshaj talks about exciting future projects
At about
You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow me on IG, where I’m @chillsatwillpodcast, or on Twitter, where I’m @chillsatwillpo1. You can watch this and other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both my YouTube Channel and my podcast while you’re checking out this episode.
I am very excited about having one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. A big thanks to Rachel León and Michael Welch at Chicago Review.
Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl
Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting my one-man show, my DIY podcast and my extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!
This month’s Patreon bonus episode features segments from conversations with Deesha Philyaw, Luis Alberto Urrea, Chris Stuck, and more, as they reflect on chill-inducing writing and writers that have inspired their own work.
This is a passion project of mine, a DIY operation, and I’d love for your help in promoting what I’m convinced is a unique and spirited look at an often-ignored art form.
The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.
Please tune in for Episode 254 with Jami Attenberg, the New York Times bestselling author of nine books, including The Middlesteins, All Grown Up and a memoir, I Came All This Way to Meet You: Writing Myself Home. Her work has been published in sixteen languages; her novel, A Reason to See You Again is set to be published September 24, which is when her episode will also drop.
Lastly, please go to ceasefiretoday.com, which features 10+ actions to help bring about Ceasefire in Gaza.
Tuesday Sep 10, 2024
Tuesday Sep 10, 2024
Notes and Links to Byron Graves’ Work
For Episode 252, Pete welcomes Byron Graves, and the two discuss, among other topics, his early experiences with Ojibwe and English and bilingualism, formative and transformative writers and writing (X-Men!), both past and present, representation of multidimensional indigenous characters, Byron’s basketball career and its influence on his writing and world view, and salient themes and issues in his work like grief and traumas, personal and collective triumphs, family bonds, community, inevitable change, and biculturalism.
Byron Graves is Ojibwe and was born and raised on the Red Lake Indian Reservation in Minnesota, where he played high school basketball. When he isn't writing, he can be found playing retro video games, spending time with his family, or cheering on his beloved Minnesota Timberwolves. Rez Ball is his debut novel.
1999 Article with Journalist Covering Byron’s High School Basketball Season
Review by Amanda MacGregor for Teen Librarian Toolbox
Byron's Website with Harper Collins
At about 1:25, Byron lays out his quandary regarding two NBA teams
At about 2:55, Byron talks about his language great grandparents and the fluency of family members in the Ojibwe language, and the ways in which language preservation has been done in his family and on his reservation
At about 5:15, Byron characterizes the Ojibwe language and shares an evocative favorite phrase
At about 6:20, Byron describes his childhood loves of comic books (particularly X-Men), video games, and more
At about 9:15, Byron expands on writers and writing that ignited his love for reading, including Lord Byron and a special family memento involving Lord Byron
At about 12:00, Byron talks about how representation has evolved and changed, particularly with regards to indigenous writers-a “beautiful renaissance”
At about 15:05, Byron responds to Pete’s questions about usage of different terminologies describing “indigenous” peoples
At about 17:05, Byron talks about the 1992 US Basketball “Dream Team” and the team sparking his interest in basketball
At about 20:00, Byron describes his game with a personal “scouting report”
At about 21:55, Byron talks about how lessons learned on the basketball have informed so much of his later life
At about 23:15, Byron talks how Frank Clancy’ 1999 news stories affected Byron’s own desire to write a book
At about 29:30, a high-tension basketball game that begins the book is discussed, as well as the staggering loss of narrator’s brother, Jaxon
At about 31:00, Byron discusses his rationale in including deep loss in the book, involving Tre’s brother Jaxon
At about 34:05, The two fanboy over “Batman: The Animated Series”
At about 34:30, Byron expands upon the “beautiful chaos” of “rez ball”
At about 38:15, Pete gives some background on main characters in the book, as well as the documentation of Tre’s season
At about 39:40, Byron traces the idea of the basketball player as celebrity, and the ways this has changed since he was playing high school basketball in the late 90s
At about 42:20, the ways in which Tre feels pressure/pride in representing his brother’s legacy are explored
At about 43:10, Khiana and Tre’s friendship as a way of allowing Tre to be himself is included
At about 45:20, the ways in which Tre’s parents and Tre’s teammates treat him after Jaxon’s death, and how peer pressure comes into play for Tre going to parties and considering drinking are discussed
At about 48:10, Pete and Byron recount some of the social and basketball-related growing pains that come in to play as Jaxon starts excelling on the basketball court, and sees his time consumed by basketball
At about 51:50, Byron describes the “amalgamations” that inform the way he wrote conflicts between small town and city basketball teams, and about racism and ugly histories
At about 55:00, Pete compliments a “heavy” and “profound scene” involving police misconduct and racism
At about 55:40, Byron responds to Pete’s question about what drew Slam Magazine to interview and follow around Tre and his team
At about 57:55, Pete “flags” (hehe) Cooper Flagg and Chet Holmgren as archetypes in the book
At about 58:30, Byron reflects on a wistful statement made by Tre’s teammate as Pete inquires about sympathies felt toward a character
At about 1:02:55, Byron talks about exciting future projects
At about 1:04:10, Byron gives out contact and social media info
You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow me on IG, where I’m @chillsatwillpodcast, or on Twitter, where I’m @chillsatwillpo1. You can watch this and other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both my YouTube Channel and my podcast while you’re checking out this episode.
I am very excited about having one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. A big thanks to Rachel León and Michael Welch at Chicago Review.
Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl
Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting my one-man show, my DIY podcast and my extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!
This month’s Patreon bonus episode features segments from conversations with Deesha Philyaw, Luis Alberto Urrea, Chris Stuck, and more, as they reflect on chill-inducing writing and writers that have inspired their own work.
This is a passion project of mine, a DIY operation, and I’d love for your help in promoting what I’m convinced is a unique and spirited look at an often-ignored art form.
The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.
Please tune in for Episode 253 with Akshaj Mehta, who has been writing since he was 4 years old. He is a former student of mine, and he is currently studying political science at UCLA as a second year student. Akshaj is an author with five published books, the most recent titled The Butterfly Effect, which was created in collaboration with the non-profit KidsFirst Roseville. He has also written for the N Magazine and Sacramento School Beat.
The episode will go live on September 10.
Lastly, please go to ceasefiretoday.com, which features 10+ actions to help bring about Ceasefire in Gaza.