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The Chills at Will Podcast is a celebration of the visceral beauty of literature. This beauty will be examined through close reads of phrases and lines and passages from fiction and nonfiction that thrills the reader, so much so that he wants to read again and again to replicate that thrill. Each episode will focus on a different theme, such as "The Power of Flashback," "Understatement," "Cats in the Cradle," and "Chills at Will: Origin Story."
Episodes
Wednesday Mar 27, 2024
Wednesday Mar 27, 2024
Notes and Links to Jennifer Croft’s Work
For Episode 228, Pete welcomes Jennifer Croft, and the two discuss, among other topics, her early relationship with words and geography and later, multilingualism, formative colleagues and teachers who guided and inspired her love of languages and literary translation, her serendipitous path to focusing on Polish and Spanish translations, connections between cultural nuances and translation, and literal and allegorical signposts in her book, including climate change and celebrity “brands,” the fluidity of translation, the relationships between translators and original writing, the intriguing phenomenon that is amadou, and time and perspective and their connections to translation.
Jennifer Croft won a 2022 Guggenheim Fellowship for her novel The Extinction of Irena Rey, the 2020 William Saroyan International Prize for Writing for her illustrated memoir Homesick, and the 2018 International Booker Prize for her translation of Olga Tokarczuk’s Flights. A two-time National Book Award–honoree, Croft is Presidential Professor of English & Creative Writing at the University of Tulsa.
Buy The Extinction of Irena Rey
Review of The Extinction of Irena Rey in The New York Times
Jennifer Discusses her Book with Scott Simon on NPR’s Weekend Edition
At about 2:40, Jennifer discusses the feedback she’s gotten, and the overall experience that has governed the weeks since the book’s March 6 publication
At about 3:40, Shout out to the coolest envelope ever, and to Emily Fishman at Bloomsbury Publishing
At about 4:20, Jennifer talks about the influences that led to her curiosity about reading and geography and knowledge
At about 5:55, Jennifer lays out the books that she was reading in her childhood, and talks about books and writing as ways of “traveling”
At about 8:15, Jennifer talks about inspirations from her reading, including working with Yevgeny Yevtushenko
At about 10:15, Jennifer expounds upon her journey in learning new languages, and how learning Spanish and Polish were connected
At about 13:15, Jennifer and Pete talk about the greatness of Jorge Luis Borges, and Pete shouts out the unforgettable “The Gospel According to Mark”
At about 14:15, Jennifer charts what makes her MFA in Literary Translation different than translation on its own
At about 15:30, Jennifer recounts her experiences in Poland when she was there during the time of Pope John Paul II’s death
At about 17:35, Jennifer talks about the art of translation and how she has evolved in her craft over the years
At about 20:45, Pete uses a Marquez translation as an example of a seemingly-absurd rendering, while Jennifer provides a balanced view of translation challenges
At about 22:30, Pete cites some of the gushing blurbs for the book and asks Jennifer about seeds for the book; she cites a genesis in a nonfiction idea
At about 28:15, Pete reads a plot summary from the book jacket/promotional materials
At about 29:10, Pete and Jennifer discuss the book’s two narrators-Emilia the writer, and Alexis, her English translator-and their conflicts and devolutions
At about 33:40, Pete remarks on the strategic and highly-successful structure of the book
At about 34:20, Jennifer responds to Pete’s questions about her use of images throughout the book
At about 37:30, Jennifer discusses the “dishonest[y] of subjectivity” in discussing translation and the author/translator’s role in the writing
At about 38:20, Pete reads a few key lines from the book, including the powerful opening lines and gives some exposition of the book
At about 40:50, Jennifer responds to Pete’s questions about the importance of amadou in the book, and she expands on its many uses and history
At about 45:35, Jennifer expounds on ideas of the “mother tongue” as posited in the book, and uses examples from her own life to further reflect
At about 48:00, Incredibly-cute twin content!
At about 48:35, Chloe, a character from the book, and shifting alliances are discussed
At about 50:50, Amalia, the “climate-change artist,” a main character in Irena’s Grey Eminence, is discussed, and the two point out similarities to fado singer Amália Rodrigues
At about 53:15, Pete asks Jennifer about the process of writing stories within stories
At about 54:10, The two discuss some of the plot-the book’s unfurling
At about 55:55, The two discuss a cool “Easter Egg” and meta-reference in the book
At about 57:20, Jennifer discusses the connections between fungi, the natural world, and translators
At about 59:30, Art and destruction, as featured in the book, is discussed
At about 1:02:00, Jennifer responds to Pete wandering about what is lost/gained through translation, in connection to the book’s translator Alexis
At about 1:03:40, Jennifer speaks to time and perspective as their forms of “translations”
At about 1:05:10, Jennifer speaks about exciting new projects, including a translation of Federico Falco's work
You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow me on IG, where I’m @chillsatwillpodcast, or on Twitter, where I’m @chillsatwillpo1. You can watch this and other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both my YouTube Channel and my podcast while you’re checking out this episode.
I am very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. A big thanks to Rachel León and Michael Welch at Chicago Review-I’m looking forward to the partnership! Check out my recent interview with Gina Chung on the website.
Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl
Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting my one-man show, my DIY podcast and my extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!
I have added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.
Thanks to new Patreon member, Jessica Cuello, herself a talented poet and former podcast guest.
This is a passion project of mine, a DIY operation, and I’d love for your help in promoting what I’m convinced is a unique and spirited look at an often-ignored art form.
The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.
Please tune in for Episode 229 with Will Sommer, who covers right-wing media, political radicalization and right-wing conspiracy theories in the United States. His 2023 book is Trust the Plan: The Rise of QAnon and the Conspiracy That Reshaped América. He is also featured as an expert on QAnon in HBO's Q: Into the Storm
The episode will go live on March 28 or 29.
Lastly, please go to https://ceasefiretoday.com/, which features 10+ actions to help bring about Ceasefire in Gaza.
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