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The Chills at Will Podcast is a celebration of the visceral beauty of literature. This beauty will be examined through close reads of phrases and lines and passages from fiction and nonfiction that thrills the reader, so much so that he wants to read again and again to replicate that thrill. Each episode will focus on a different theme, such as "The Power of Flashback," "Understatement," "Cats in the Cradle," and "Chills at Will: Origin Story."
Episodes
Tuesday Dec 10, 2024
Tuesday Dec 10, 2024
Notes and Links to Carvell Wallace’s Work
Carvell Wallace is a writer and podcaster who has contributed to The New Yorker, GQ, New York Times Magazine, Pitchfork, MTV News, and Al Jazeera. His debut memoir, Another Word For Love (MCD, 2024), explores his life, identity, and love through stories of family, friendship, and culture and is a 2024 Kirkus Finalist in Nonfiction. He was a 2019 Peabody Award nominee, a 2022 National Magazine Award Finalist, a 2023 winner of the Mosaic Prize in Journalism, and a 2025 UCross Fellow. He lives in Oakland.
New York Times Review of Another Word for Love
“Carvell Wallace on What Writing Taught Him About His Life” for LitHub
At about 2:25, Carvell describes his “active” reading youth during his youth, including interest in Edgar Allan Poe and fables and fairy tales, and how creative pursuits in college paused and started his writing life
At about 6:25, Carvell shouts out a teacher who exposed him to great literary works and “treated [him] like a real writer”
At about 7:45, Carvell talks about being an artist “getting off the academic train” and academic “tracking”
At about 9:20, Carvell and Pete discuss “math people” and implications around embracing the label or not
At about 10:40, Carvell lists Song of Solomon, Judy Blume, Grapes of Wrath as “formative” texts and writers, and he details how imitation works in his writing,
At about 14:00-Ayn Rand and Jordan Peterson talk!
At about 15:50, Carvell discusses his take on expectations of literary and pop culture “representation” growing up, as well as how he “goes to reading to find [himself]”
At about 19:15, Pete asks Carvell about his wide level of interest and knowledge and “muses,” and Carvell describes the “throughline” for his varied work as “people”
At about 22:50, Carvell and Pete discuss the definitive answer to the pronunciation of “gif” and highlight meaningful gifs of JR Smith and Andre Iguoadala
At about 25:15, Carvell responds to Pete’s question about writers and creators who inspire, including the film podcast You Must Remember This and Tricia Hersey’s We Will Rest
At about 28:20, Pete tiptoes into asking about Frankenstein’s monster
At about 29:05, Pete highlights stirring parts of Another Word for Love and shares gushing blurbs
At about 30:40, Pete asks about the structuring of the book and links that Catrvell envisioned and put into practice; Carvell explains his rationale for structuring around recovery
At about 33:05, Carvell connects Choose Your Own Adventure to the ways in which he tried to avoid “prescriptive” writing
At about 34:05, Carvell replies to Pete’s question about “killing [his] darlings”
At about 36:10, Carvell gives background on his June Jordan epigraph and talks about her revolutionary ways
At about 40:00, Carvell muses profoundly on the “contradiction(s)” of the United States
At about 42:05, Carvell responds to Pete’s asking about the “encroaching shadows” and loneliness that govern the book’s opening scene; Carvell also reflects on the “unreliability of memory”
At about 46:00, The two reflect on a pivotal early chapter about a literal and figurative “fog” and unorthodox lessons learned from the experience
At about 48:45, Carvell explains the importance of descriptions in the books about seeking intimacy with his mother and flipping tropes
At about 50:20, Carvell talks about writers and dishonesty and remembrance with regard to a possibly apocryphal story regarding kids forced to take care of themselves
At about 54:40, Carvell talks about nomenclature for sexual assault and reflections on ideas of culpability and masculinity
At about 58:20, Carvell reflects on healing through writing the book and his ethic in writing it
At about 1:01:05, Pete recounts important parts of Carvell’s childhood daydreaming
At about 1:02:20, Carvell points out a “theory of recovery” as seen in a metanarrative and ideas of “endless beautiful things in the world”
At about 1:03:30, Carvell muses on connections between hip hop and Shakespeare that especally
At about 1:05:20, The two discuss “The Finger” and racism shown by a white man and its larger implications
At about 1:08:40, Pete asks Carvell about links between “overwrit[ing] reality” and racist violence towards him
At about 1:10:00, The two reflect on change and the birth scene of his child; Carvell reflects on humility as illustrated in the scene
At about 1:12:45, Pete recounts important scenes that end Part I and govern Part II and asks Carvell about “re-union” and healing
At about 1:14:10, Pete gushes honestly over the book’s greatness, evocative nature, and resonant nature
At about 1:15:30, Carvell talks about the book’s end and its lack of an end
At about 1:16:20, Carvell shares contact info, social media info, and places to buy his book, including great Bay Area bookstores like Harold’s Books
You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you’re checking out this episode.
Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. This week, his conversation with Episode 255 guest Chris Knapp is up on the website. A big thanks to Rachel León and Michael Welch at Chicago Review.
Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl
Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete’s one-man show, his DIY podcast and his extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!
This month’s Patreon bonus episode will feature an exploration of the wonderful poetry of Khalil Gibran.
I have added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.
This is a passion project of Pete’s, a DIY operation, and he’d love for your help in promoting what he’s convinced is a unique and spirited look at an often-ignored art form.
The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.
Please tune in for Episode 266 with Lydia Kiesling. She is a novelist and culture writer whose first novel, The Golden State, was a 2018 National Book Foundation “5 under 35” honoree and a finalist for the VCU Cabell First Novelist Award. Her second novel, Mobility, a national bestseller, was named a best book of 2023 by Time and NPR, among others.
The episode airs on December 17.
Please go to ceasefiretoday.com, which features 10+ actions to help bring about Ceasefire in Gaza.
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